Another Perspective of the Conference

Impact of Taiko

Opening Speech

Group Photograph

Community Dialogue

Photo Gallery

2003 Taiko Conference

Taiko Conference: Full of newfound knowledge and surprises
By Anne Masuda

Taiko. Those who are not familiar with taiko would probably have not known about the existence of a taiko community. I sure was unaware of the plethora of respected taiko groups from all over the world until I attended the 2001 Taiko Conference at the JACCC as a Getty Intern. Although I started my internship simply completing menial tasks such as typing and filing, I was suddenly thrown into the world of the taiko community when I inherited the responsibilities of coordinating all of the volunteers that would help out during the conference. As I gathered information about each volunteer, I realized that large portions of the participants were out of state and even out of the country. In fact, it seemed as if the majority of the participants were not Southern California residents as wrongfully thought. It was then that I became fully aware of exactly how far across taiko has reached and the extent of the impact it had on people from around the world.


But nothing compared to the experience I gained by attending the actual Taiko Conference itself. I have rarely met so many people gathered at the JACCC who shared a common interest and bond with such enthusiasm as the people who shared the love of taiko. Sure, I have been to conventions such as the Auto show and sports cards and collectible shows, but it is totally different from people gathering with the intentions of increasing their materialistic possessions, as is the prominent reason for these conventions and the people gathering for this conference in
attempts to unify the taiko community and gain more useful knowledge about the history through discussions, further techniques to enhance their performances from workshops, and the aid to the advancement of taiko during various sessions. They also had an amazing and earnest interest in attempting to develop a way to make taiko more publicly known and reach a different audience on a grander scale. It was truly exciting to see so many people, and not only of Japanese descent, play, learn, perform, and socialize together about taiko and its future.


In fact, after gathering the evaluations of the 2001 Taiko Conference from many of the participants, seeing old friends and making new ones, while sharing the energy for the love of taiko was their favorite parts of the conference. They also loved learning from the "outstanding teachers and performers" and attending the many workshops and discussions that were held throughout the three-day event. In addition, the "welcoming and warm atmosphere" of the event was noted in the comment portion and many people seemed to agree with it. Even though I did not have knowledge of Taiko, many workshop leaders and participants were very nice to me and I was very much interested in what they had to say about taiko, among other topics. By the end of the conference, I had gained a great interest in playing taiko and during the Morning Plaza Taiko Jam Session on Sunday, I even played taiko -- with the help of several nice players who showed me how to play on the spot. Even for a non taiko individual like myself and despite all of the hard work and long days I put in during the conference, the conference was a memorable experience that provided me with a newly found interest in the great traditional Japanese drum known as taiko.

Anne Masuda is a 2001 Getty summer intern at the JACCC and was the Volunteer Coordinator for the 2001 Taiko Conference, which took place at the JACCC from June 29 through July 1, 2001.

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