Proscenium Arch		48' w x 22.5' h
Stage Depth (from plaster line to back wall)		36.5'
Apron Depth (from plaster line to stage front)		5'
Curved Orchestra Pit (with hydraulic lift):
	at widest point	47'
	at stage	41'
	depth at center	10.5'
	depth at sides	5'
Centerline to fly rail stage right
	at plaster line	34.5'
	at 30' upstage of plaster line	14'
Centerline to wall stage left
	at plaster line	43'
	at 30' upstage of plaster line	18.5'
Side thrusts: Please refer to masking plan
Distance from spot booth to plaster line		76'
Distance from balcony rail to plaster line		51'
Distance from projection booth to movie screen		83.5'
Distance from balcony rail to movie screen		55'
Out trim of pipes		47.5'
Stage floor to grid		50.5'
Stage floor: 2 layers of 3/4" plywood on rubber springs surfaced with 1/4" tempered masonite, flat black finish.
Loading access: Enter on San Pedro St. between 2nd and 3rd St. NOTE: No loading dock; access is at street level. No parking allowed behind the theatre. Parking available in adjacent lots.
Loading doors:
	Loading area to shop	16' w x 15' h
	Shop to stage	16' w x 16.5' h
Download PDF of Stage Dimensions

Note: All pipes are manually operated single counterweight lines.

33 line sets (13 empty spare lines) 1.5" pipe

Pipes taper from 60' downstage to 15' upstage

3 - hardwire electrical raceways
1- adjustable black velour framed portal and header
2 - sets 24' h x 12' w black velour legs
1 - set 24' h x 12' w black velour side masking
3 - black velour borders: 10'h x 60'w; 10'h x 36'w; 10'h x 24'w
1 - 24'h x 30'w black velour panel (upstage black)
1 - 28'h x 30'w white filled scrim (flat cyc)
1 - 28'h x 68'w white filled scrim (wrap around cyc)
1 - 24'h x 60'w black velour (wrap around black)
1 - 18'h x 43'w movie screen with masking
1 - Traditional Japanese Doncho (Golden Silk with Peacock motif)
1 - Traditional Western Main Curtain: (Red Velour 100% fullness)

Download PDF of Rigging & Soft Goods

 

Download PDF of Lockrail Schedule

 

Download PDF of Stage Masking Diagram

ETC Express 48/96 Light Board with remote focus unit
176 Strand Century CD 80 Dimmers 2.4K each (dimmer per circuit)
8 Strand Century CD 80 Dimmers 6.0K each (dimmer per circuit)
NOTE: 6.0K circuits have limited access, used primarily for cyc

 

Over Stage Lighting:

1st Electric:
3 Washes of 4 6x9 ellipsoidal spotlights (43 degrees) each.
3 High Side Washes of 1 6x12 ellipsoidal spotlight (31 degrees), and 1 6x9 ellipsoidal spotlight (43 degrees) each.
2 Backlight Washes of 4 Par 64 Wides each.
6 Specials 6x12 ellipsoidal spotlights (31 degrees) each.
1 Special 6x9 ellipsoidal spotlight (43 degrees).

2nd Electric:
3 Washes of 3 6x9 ellipsoidal spotlights (43 degrees) each.
3 High Side Washes of 1 6x12 ellipsoidal spotlight (31 degrees), and 1 6x9 ellipsoidal spotlight (43 degrees) each.
2 Backlight Washes of 4 Par 64 Wides each.
2 Specials 6x9 ellipsoidal spotlights (43 degrees) each.
1 Special 6x12 ellipsoidal spotlight (31 degrees).

3rd Electric:
2 Backlight Washes of 4 Par 64 Wides each.
5 Specials 6x12 ellipsoidal spotlights (31 degrees) each.
2 Specials 6x9 ellipsoidal spotlights (43 degrees) each.

Cyc Lights:
5 Laniro 4 Color Far Cyc Light Units.

 

Front of House Lighting:

Anti Proscenium:
2 Specials 6x9 ellipsoidal spotlights (43 degrees) each.
5 Specials 6x12 ellipsoidal spotlights (31 degrees) each.

1st Beam:
3 Washes of 5 6x16 ellipsoidal spotlights (23 degrees) each.
5 Specials 6x12 ellipsoidal spotlights (31 degrees) each.
2 Specials 6x16 ellipsoidal spotlights (23 degrees) each.

2nd Beam:
3 Washes of 4 6x16 ellipsoidal spotlights (23 degrees) each.
2 Side Stage Specials 6x16 ellipsoidal spotlights (23 degrees) for each side stage.
5 Specials 6x12 ellipsoidal spotlights (31 degrees) each.

Balcony Rail:
1 Curtain Wash of 5 6x12 ellipsoidal spotlights (31 degrees) each.
2 Specials 6x12 ellipsoidal spotlights (31 degrees) each.

Box Booms:
3 Stage Washes of 2 6x12 ellipsoidal spotlights (31 degrees) each.
3 Pit Washes of 2 6x12 ellipsoidal spotlights (31 degrees) each.
1 Special 6x16 ellipsoidal spotlight (23 degrees).

Side Light Package:
12 - 6 x 9 Altman ellipsoidal spotlights (750 watts)
12 - 6 x 12 Altman ellipsoidal spotlights (750 watts)
8 Pipe and base

Follow Spots:
2 Strong 575HI Follow Spots (575 watts) located in the Projection Booth.

NOTE: HOUSE EQUIPMENT USES 20 AMP 125V (L5-20) TWISTLOCK CONNECTORS.

Accessories: twist lock cables, twofers, side arms, top hats, 10' pipes and bases, color frames, pattern holders.

Download PDF of Lighting Specs

 

Download PDF of Lighting Cheat Sheet

 

Download PDF of Lighting Plot

400 amp 3 phase "company switch" located stage left. (120/208 volt, 4 wire)
60 amp 120/208 volt "TV" switch located outside loading area.
15-amp 208-volt outlet located either side of balcony walls
30-amp 125 volt 3 pin outlet located in booth
30-amp 208 volt 4 pin, 3 phase outlet located in booth

There is no 120/240V single phase in the Theatre, and no 220V in the Theatre.

Download PDF of Electric Power Supplies

Stage Level:
20' x 35' Workshop/Loading area off Stage Left

Green Room (Performers' Lounge) - upstage left with sink and restroom.

2 "Star" Dressing Rooms – accessible from Green Room:
2 chairs, 2 mirrors with makeup lights, and private bathroom with shower in each.

 

Basement Level:
4 "Chorus" Dressing Rooms
15 chairs, mirrors with makeup lights, and 1 wardrobe rack in each.

Men's and Women's restrooms and showers (3 stalls each).

Download PDF of Backstage Specs

 

Download PDF of Ground Floor Diagram

 

Download a PDF of the Basement Floor Plan

1		Lecturn
1		Kawai 9' Concert Grand Piano / GS-100 Soundboard
24		Music Stands with music stand lights
24		Black Orchestra Chairs
12		4ft x 8ft Risers, 4 of each: 8 inch tall, 16 inch tall, and 24 inch tall
6		Choral Risers
1		Rosco Dance Floor: Black/Grey
24		Shosa Butai Platforms 3' x 12' x 5"h (Japanese wooden dance floor)
4		Shosa Butai Platforms 3' x 9' x 5"h (Japanese wooden dance floor)
1		Hanamichi Runway Platform and Toya for Stage Right Side Stage
1		Joshikimaku Curtain
1		Matsubame drop - 40.5'w x 29'h
4		Takubame flats with Rainbow curtain
1		Matsu (Pine Tree)
1		Mt. Fuji drop
2		Mt. Fuji flats
1		Town drop
1		Wysteria (Purple Flowers)
1		20' Red Mosen
2		Gold Colored Byobu

Download PDF of Stage Props

2		Kodak Ektagraphic III-B Slide Projectors with Ektagraphic Zoom Lens 100 to 150mm, f/3.5, and AVL FX-2 Programmable Dissolve Unit.
1		AVL FX-2 Programmable Dissolve Unit
2		35mm Film Projectors with 1:85, 1:33, and Cinascope lens available. located in projection booth above balcony center. (83.5 feet from Movie Screen)
1		Sanyo Multi-media Projector PLC-XF40 (7700 ANSI Lumens) with Sanyo Lens LNS-S03 located in the projection booth above balcony center (83.5 feet from Movie Screen)
1		Sanyo Multi-media Projector PLC-XP30 (3000 ANSI Lumens) located in the balcony. (45 feet from side stage walls)

Download PDF of Projector Specs

The audio control booth is located above the Balcony House Right with a sliding window whose maximum open dimension is 5'6" x 3'4".

MIXING CONSOLE:

ALLEN & HEATH GL2200-432 http://www.allen-heath.com 29 mono, 2 stereo, 4 groups, 6 aux, 2 stereo returns, L, R, Mono Sum Channel direct outs 2-track send and return 4-band EQ with swept mids and in/out switch Input metering on each channel Pink noise generator for speaker setup Oscillator for equipment line up Phantom Power 48V, switchable on each channel Inserts on all mono inputs Talkback facility JAT ASSIGNMENTS: MAIN SPEAKERS- MONITORS 1 & 2- CONTROL BOOTH FEED LOBBY FEED REVERB SEND HOUSE VIDEO (1) Sony MDR-V6 Dynamic Stereo Headphones (BOOTH ONLY)

CENTER CLUSTER:		AMPLIFIERS:		(1)   High - Technics SE-A7 60 watts RMS @ 8 ohms, 2 channel (3)   Mid - 2 same as above &1 Ramsa WP-9210 (1)   Low - Ramsa WP-9210 200 watt RMS @ 8 ohms, 2 channel
		CROSSOVER:		Ramsa WZ-9400 Monaural, 3 way frequency dividing network with selected crossover points
		EQUALIZERS:		White Series 4200\ 1/3 octave, non-adjustable For use ONLY with monaural central speaker cluster
		SPEAKERS:		High - Ramsa WS-703 Mid - Ramsa WS-705 with WS711 horn Low - ElectroVoice EVM-18B
		NOTE: The equipment listed above is hardwired and not movable.

 

 

SPEAKERS:		Type   Model   Qty   Mains:     Yamaha S-4115 H11, 250 watts @ 8 ohms       4 Monitors:   Ramsa WS-A200, 250 watts @ 8 ohms   2     Yamaha S-3208 H, 250 watts @ 8 ohms   2     Ramsa WS-A80, 160 watts @ 8 ohms     4 Mini's:   Yamaha S-20X, 150 watts @6 ohms   2     Ramsa WS-A10K, 160 watts @ 6 ohms     6
AMPLIFIERS:		Type   Model   Qty   Yamaha     PC 2002 Stereo, 8 ohms 240W+240W (RMS) Mono, 16 ohms 480W (RMS) Mono, 8 ohms 700W (RMS)       2 Yamaha   PC 1002 Stereo, 8 ohms 100W+100W (RMS) Stereo, 4 ohms 150W+150W (RMS) Mono, 16 ohms 200W (RMS) Mono, 8 ohms 300W (RMS)     1 Ramsa   WP-9220 8 ohms 200W+200W (RMS) 4 ohms 300W+300W (RMS) Bridge 8 ohms 600W (RMS)     2 Ramsa   WP-9055 8 ohms 50W+50W (RMS) Bridge 16 ohms 100W (RMS)     1
MICROPHONES:		Type   Model   Qty   Dynamic     Shure SM-58 Shure SM-57 Ramsa 2156X Omnidirectional       6 6 4 Condenser   Ramsa WM-8150 Cardioid Ramsa WM-8150S Omnidirectional Ramsa WM-8600N Cardiod, Variable     7 2 1 Specialty   Sennheise MD402-U Super Cardiod Realistic PZM     2 2
MICROPHONE STANDS:		Type   Model   Qty   Table Stands Boom Stand Short Boom Straight Stands Gooseneck Floor mount     Ramsa Atlas Atlas Ramsa Atlas GN-19 (E) 19" Long, Ebony Electro 411 "Mic Mouse"       5 6 1 5 2 4
CASSETE PLAYER:		Tascam 302, Double auto-reverse cassette recorder 1
CD PLAYER:		Denon DN-C635 CD Player 1
EFFECTS PROCESSER:		TC Electronics M-350 1
EQ PROCESSER:		Yamaha Q-2031 1/3 Octave, 31 band 2 Channel 1
MULTICABLE:		Whirlwind: 32 sends x 4 returns all XLR, To Booth Whirlwind: 12 sends x 3 returns all XLR 200 ft. Whirlwind: 16 sends x 4 returns all XLR 100 ft.
HEADSET COMMUNICATIONS:		RTS 2 Channel Production Communications System RTS 325 2Channel Beltpack and headset Box Office Telephone Handset Permanent Lighting Control Booth-Permanent Sound Control Booth-Permanent 5 1 1 1
BACKSTAGE MONITORS:		Backstage, Booth, and Box Office
VIDEO MONITORS:		Video Stage Monitor Camera permanently mounted In balcony rail. Monitors in Lobby, Green Room, Basement hallway, Stage Right, Stage Left, and the Shop.
AUDIO ACCESSORIES:		Type   Model   Qty   Ramsa Ramsa Ramsa Ramsa Ramsa       WS-AQ124 Lean-back stand for WS-A200/A80 ZE-02801 Speaker eyebolts for WS-A200/A80 Thumbscrew (M8X25) W2-SA15A Mic Stand Adaptor for WS-A10-K Speaker Brackets for 1" inch stand Round Base Speakers Stands for Ramsa Brackets     4 8 4 2 4 4 Yamaha Yamaha Whirlwind Whirlwind Whirlwind   BFS-250 Foldback adaptor for S3208H BMS-10 Mic Stand Adaptor for S-20X DIRECTOR Direct Box IMP 2 Direct Box Dual Direct Box     4 4 4 1 2
PORTABLE MIXERS:		Yamaha MC 1204 12 Input Channels 1-4,5-8,9-12 Phantom Power Switch Group Out (1-4) Stereo Out (L, R)   1 Yamaha EMX 640 6 Input Channels 1-4 (Hi-Z, Lo-Z-Phantom Power) 5-6 (Mic-No Phantom Power/Stereo Line) Stereo Power Amp Out: 200W/4 ohms Bridge: 400W/8 ohms 1
TRANSLATION SYSTEM:		Sony 3 channel, wireless, simultaneous translation system 1 channel directed from mixing consol to Transmitter SX-1310 A/B Transmitter SX-2600 Receiver (100 units available)

 

Download PDF of Audio Specs